With the increasing desire for getting clearer videos, many cameras and camcorders, such as Panasonic HC-X800/HC-X900, HDC-TM900, Sony NEX-F3/NEX--VG20/NEX-5N, Canon VIXIA HF G10, etc. can now record videos at Full HD 1080 60p(NTSC)/50p(PAL) files, which offer twice the infomation than those of 60i/50i shooting mode. While we are pleased with the video quality of the recordings, the trouble with this is that Final Cut Pro can not recognize thse 60p/50p files at all, whether you transfer them directly from your camera/camcorder or from the folder which has been copied to Mac. How to import 60p/50p AVCHD footages to Final Cut Pro turns out to be the first problem that AVCHD camera/camcorder users need to figure out.
In order to get thses Full HD AVCHD files supported by FCP, you need to convert 60p/50p AVCHD to ProRes, the most compatible video codec with FCP, then you can edit the converted ProRes MOV files in FCP and play them on Mac. Thus, a powerful and professional AVCHD to ProRes Converter is the most important tool in the problem-solving process. Here recommed the best AVCHD converter for FCP, applying which you can get your 60p/50p AVCHD files converted to 30p/25p ProRes MOV files with high quality by following listed steps.
Step-to-step Guide: how to transcode 60p/50p AVCHD to ProRes for editing in FCP.
1: Free download and install the AVCHD to ProRes 422 Converter on Mac, then load 60p/50p MTS files to it;
2: Click the Format box to select the output format from Apple ProRes 422 (HQ), ProRes 422, ProRes 422 (LT), ProRes (Proxy) and ProRes 4444. It depends on what you attach importance to.
a. ProRes 422 (HQ): offers the utmost possible quality for 4:2:2 or 4:2:0 sources and provides target data rate of approximately 220 Mbps and higher quality than Apple ProRes 422;
b. ProRes 422: provides target data rate of approximately 145 Mbps and higher quality than Apple ProRes 422 (LT);
c. ProRes 422 (LT): provides roughly 70 percent of the data rate of Apple ProRes 422 (thus, smaller file sizes than Apple ProRes 422) and higher quality than ProRes 422 (Proxy);
d. ProRes 422 (Proxy): provides roughly 30 percent of the data rate of Apple ProRes 422 and high-quality offline editing at the original frame size, frame rate, and aspect ratio;
e. ProRes 4444: offers the utmost possible quality for 4:4:4 sources and roughly 50 percent higher than the data rate of Apple ProRes 422 (HQ).
3: Adjust video and audio parameters in Profile Settings, where you can get by clicking Settings on the main interface.
Tip: For 1080/60p recordings, 1920*1080 as video size, 30fps as video bitrate and pcm-s16le as audio codec are the most suitable settings. If you are in PAL(50p) area, you are recommended 25fps as video bitrate.
4: Click the arrow button to start converting 60p/50p AVCHD footages to ProRes for FCP immediately.
Other features of the MTS/M2TS to FCP Converter:
1. Joining files: Tick the box "Merge into one" on the main interface.
2. Preview: Double click on the file and you can get a preview on the converter.
3. Auto shutdown: Click Option and tick the box “Shut down the computer after conversion” before conversion starts.
4. 3D conversion. The Red-Blue/Red-Green 3D conversions are supported.
5. Crop: Edit --> Crop and you can get the imported videos cropped as you want.
When the 1080 60p/50p to 30p/25p conversion is 100% completed, you can ingest your 1080p AVCHD recordings into FCP with no problem. Please link to Brorsoft MTS/M2TS Converter for Mac to get more info.
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